Brent McLeod asked 1 week ago
Putting all of the emotional analysis aside for a second, Link is also fabulous as hell, and pretty fly for a Hero of Time. Breath of the Wild provided a selection of outfits and accessories for our protagonist to slip into after his century-long nap. His classical green garb was nowhere to be seen, and players were expected to search for distinct pieces of clothing, armour, and items to use that were relevant to exploring certain environments, or provided essential protection against larger boss encount
As a silent protagonist – with the exception of all manner of grunts, yelps, and screams – Link is only able to communicate in a certain number of ways. However, all of the characters around him speak fluently, expressing their struggles and motivations through eloquent dialogue as Link can do nothing but stand and watch. But he doesn’t need to talk, his baby blue eyes and determined body language saying all that needs to be said when it comes to establishing an unwavering promise to help his loved ones and save the woBreath of the Wild is so special because every moment feels like a discovery you made on your own terms. A mixture of basic yet impactful abilities like stopping time and lifting metal objects allows you to play with the game’s definition of physics in ways that are still being discovered to this day. You can build a chain of metal weapons and charge them with lightning to activate a distant switch instead of following the traditional solution, showing that the game’s systems are built to be toyed with and taken advantage of in ways that have near limitless potential. Nobody will play Breath of the Wild in the same way, and given the open world genre largely remains defined by chasing down icons and completing repetitive objectives, this is a breath of fresh air that remains unmatched. You could argue “it doesn’t feel like Zelda” because its dungeon design abandons tradition, but the rewarding discoveries of Breath of the Wild are intentionally spread throughout the entirety of Hyrule.Judging from the trailers we’ve seen thus far, Breath of the Wild 2 is going to be rather similar to its predecessor – at least in terms of moment-to-moment gameplay. The version of Hyrule we explored in the last game is making a return, with Link stumbling across familiar landmarks and enemies with an outfit and movements we recognise from the last game. I imagine towns have been rebuilt and the region is a little more alive now Calamity Ganon has been vanquished, but the layout is likely similar. Because of this, RPG Redemption Stories the way in which we explore this world should remain recognisable, so returning players feel welcome and newcomers aren’t alienated by a sequel that challenges some of its younger sibling’s most daring and creative ideas.However, neither of these games encourage experimentation like Breath of the Wild does, so it’s much easier to provide us with an easier mode of traversal instead of artificially increasing the time required to reach our destination. However you slice it, these games viewed climbing in the rain and weapon degradation as negatives, choosing to build upon Nintendo’s vision by removing them entirely. I understand why games that adopt so many of the ideas pioneered by Breath of the Wild opt to change them, because every game is different and it’s unfair to tar them all with the same brush. That being said, I don’t want the upcoming sequel to follow in their footsteps. Nintendo needs to stick to its guns, favouring clumsy wet traversal and obscenely delicate weapons over an adventure that simplifies things to the point of triviality.The removal of design decisions previously viewed as irksome would undermine so much of what Breath of the Wild managed to achieve, and the last thing I want to see is Nintendo steering its formula in a direction that abides by more traditional genre conventions. Assassin’s Creed and similar games of this ilk are arguably more akin to content mill, built to draw you in for hundreds of hours even if much of that time is filled with uninspired busywork. The time you spend with the game is what matters, and Breath of the Wild managed to challenge a system that has become increasingly tired in the eyes of players. Its sequel needs to continue chasing that ambition, and not compromise on its own design ethos.
Most people assume that Studio Ghibli’s movies are mainly for kids and don’t feature any mature themes, which couldn’t be further from the truth. Movies like Grave of the Fireflies prove that the studio doesn’t shy away from tackling more disturbing topics, with this legendary movie being a great example of how fragile human life becomes in the throes of
While the original Resident Evil 2 and 3 are fairly similar games, Resident Evil 4 is an action-oriented title with a faster pace than its predecessors. This variation in source material means that the Resident Evil remake series is likely pushing into new territory, leading to debate on what should and should not be changed from the original g
As a silent protagonist – with the exception of all manner of grunts, yelps, and screams – Link is only able to communicate in a certain number of ways. However, all of the characters around him speak fluently, expressing their struggles and motivations through eloquent dialogue as Link can do nothing but stand and watch. But he doesn’t need to talk, his baby blue eyes and determined body language saying all that needs to be said when it comes to establishing an unwavering promise to help his loved ones and save the woBreath of the Wild is so special because every moment feels like a discovery you made on your own terms. A mixture of basic yet impactful abilities like stopping time and lifting metal objects allows you to play with the game’s definition of physics in ways that are still being discovered to this day. You can build a chain of metal weapons and charge them with lightning to activate a distant switch instead of following the traditional solution, showing that the game’s systems are built to be toyed with and taken advantage of in ways that have near limitless potential. Nobody will play Breath of the Wild in the same way, and given the open world genre largely remains defined by chasing down icons and completing repetitive objectives, this is a breath of fresh air that remains unmatched. You could argue “it doesn’t feel like Zelda” because its dungeon design abandons tradition, but the rewarding discoveries of Breath of the Wild are intentionally spread throughout the entirety of Hyrule.Judging from the trailers we’ve seen thus far, Breath of the Wild 2 is going to be rather similar to its predecessor – at least in terms of moment-to-moment gameplay. The version of Hyrule we explored in the last game is making a return, with Link stumbling across familiar landmarks and enemies with an outfit and movements we recognise from the last game. I imagine towns have been rebuilt and the region is a little more alive now Calamity Ganon has been vanquished, but the layout is likely similar. Because of this, RPG Redemption Stories the way in which we explore this world should remain recognisable, so returning players feel welcome and newcomers aren’t alienated by a sequel that challenges some of its younger sibling’s most daring and creative ideas.However, neither of these games encourage experimentation like Breath of the Wild does, so it’s much easier to provide us with an easier mode of traversal instead of artificially increasing the time required to reach our destination. However you slice it, these games viewed climbing in the rain and weapon degradation as negatives, choosing to build upon Nintendo’s vision by removing them entirely. I understand why games that adopt so many of the ideas pioneered by Breath of the Wild opt to change them, because every game is different and it’s unfair to tar them all with the same brush. That being said, I don’t want the upcoming sequel to follow in their footsteps. Nintendo needs to stick to its guns, favouring clumsy wet traversal and obscenely delicate weapons over an adventure that simplifies things to the point of triviality.The removal of design decisions previously viewed as irksome would undermine so much of what Breath of the Wild managed to achieve, and the last thing I want to see is Nintendo steering its formula in a direction that abides by more traditional genre conventions. Assassin’s Creed and similar games of this ilk are arguably more akin to content mill, built to draw you in for hundreds of hours even if much of that time is filled with uninspired busywork. The time you spend with the game is what matters, and Breath of the Wild managed to challenge a system that has become increasingly tired in the eyes of players. Its sequel needs to continue chasing that ambition, and not compromise on its own design ethos.
Most people assume that Studio Ghibli’s movies are mainly for kids and don’t feature any mature themes, which couldn’t be further from the truth. Movies like Grave of the Fireflies prove that the studio doesn’t shy away from tackling more disturbing topics, with this legendary movie being a great example of how fragile human life becomes in the throes of
While the original Resident Evil 2 and 3 are fairly similar games, Resident Evil 4 is an action-oriented title with a faster pace than its predecessors. This variation in source material means that the Resident Evil remake series is likely pushing into new territory, leading to debate on what should and should not be changed from the original g